History is a soft clay medium: Eugenia Lim and Salote Tawale History is a soft clay medium: Eugenia Lim and Salote Tawale

Unfinished Business: Perspectives on art and feminism, exhibition catalogue, Australian Centre for Contemporary Art, Melbourne
Restaging the collective: a conversational review of Sharon Hayes’ In My Little Corner of the World, Anyone Would Love You and Alex Martinis Roe’s Our Future Network Restaging the collective: a conversational review of Sharon Hayes’ In My Little Corner of the World, Anyone Would Love You and Alex Martinis Roe’s Our Future Network

Un magazine, issue 10.2, 2016
The ‘Nature’ of Sex: Parafeminist Parody in Pipilotti Rist’s Pickelporno (1992) The ‘Nature’ of Sex: Parafeminist Parody in Pipilotti Rist’s Pickelporno (1992)

Australian and New Zealand Journal of Art
Volume 15, Issue 2, 2015, pp. 164-181
Review: Tianzhuo Chen, Long March Space, Beijing Review: Tianzhuo Chen, Long March Space, Beijing

frieze magazine, issue 175, 2015, p. 174-5

Performing Feminism ‘Badly’: Hotham Street Ladies and Brown Council Performing Feminism ‘Badly’: Hotham Street Ladies and Brown Council

n.paradoxa: international feminist art journal,
Vol. 36 Humour, July 2015, pp. 23-31

Review: Julie Verhoeven, Whiskers Between My Legs, ICA London Review: Julie Verhoeven, Whiskers Between My Legs, ICA London

frieze magazine, issue 170, 2015, p. 187

Mika Rottenberg’s video installation Mary’s Cherries: A parafeminist ‘dissection’ of the carnivalesque Mika Rottenberg’s video installation Mary’s Cherries: A parafeminist ‘dissection’ of the carnivalesque

Philament, Vol. 20, 2015, pp. 11- 40
Make a Monkey out of Clay Make a Monkey out of Clay

India Global Atelier exhibition essay, Victorian College of the Arts Student Gallery, 2014
Flowing Locks and Monster Bodies: Hannah Raisin and Atlanta Ekes’ affective feminist performance Flowing Locks and Monster Bodies: Hannah Raisin and Atlanta Ekes’ affective feminist performance

Artlink, Vol 22, No 3, 2013 (Feature)
BACKFLIP: Feminism and Humour in Contemporary Art. Authors: Jo Anna Isaak, Laura Castagnini, Vikki McInnes. Margaret Lawrence Gallery, 2013. 47pp. BACKFLIP: Feminism and Humour in Contemporary Art. Authors: Jo Anna Isaak, Laura Castagnini, Vikki McInnes. Margaret Lawrence Gallery, 2013. 47pp.

Exhibition catalogue
PREVIEW- Backflip: Feminism and Humour in Contemporary Art PREVIEW- Backflip: Feminism and Humour in Contemporary Art

NAVA Quarterly: Women in Art, 2013, p. 6-7
Drew Pettifer: Androgyne Drew Pettifer: Androgyne

Nellie Castan Gallery, exh. cat., 2013
Pat Brassington: Á Rebours Pat Brassington: Á Rebours

Artlink, Vol 32, No 4, 2012 (Review)
Why the Guerrilla Girls don’t have to be naked to get into the Met. Museum: An interview with founding members Frida Kahlo and Käthe Kollwitz Why the Guerrilla Girls don’t have to be naked to get into the Met. Museum: An interview with founding members Frida Kahlo and Käthe Kollwitz

Artlink, Vol. 32, No. 3, 2012
Come A Little Closer Come A Little Closer

Screen Space, exh. cat., 2012
How to wrap a metre long schlong: an (educational) interview with Andrew Burford How to wrap a metre long schlong: an (educational) interview with Andrew Burford

Co-respond: A collaboration between artists and writers at SEVENTH, edited by Victoria Bennett and Meg Hale, 2012. p. 49- 52
Trash-bag Feminist Trash-bag Feminist

Linsey Gosper: Object Love, exh. cat., Stills Gallery, 2012
Santina Amato: Horses Shed Their Tails Once a Year in The Fall Santina Amato: Horses Shed Their Tails Once a Year in The Fall

Bus Projects, exh. cat., 2011
Janina Green: Vacuum Janina Green: Vacuum

Margaret Lawrence Gallery, exh. cat., 2011
Grant Nimmo: This is Woven Piper Grant Nimmo: This is Woven Piper

Anna Pappas Gallery, exh. cat., 2011

Humour and “play” in contemporary feminist performance Humour and “play” in contemporary feminist performance

Short Play: Publication, ed. Rachel Feery, 2010, p. 5- 7
“Why aren’t more male artists curated into feminist art exhibitions?” “Why aren’t more male artists curated into feminist art exhibitions?”

The View From Here: 19 Perspectives on Feminism, 2010, ed. Clare Rae, p. 16-18
Mika Rottenberg’s Video Installation Mary’s Cherries: A Parafeminist “dissection” of the Carnivalesque Mika Rottenberg’s Video Installation Mary’s Cherries: A Parafeminist “dissection” of the Carnivalesque

Philament – online journal of arts and culture, Vol. 20, 2015, pp. 11- 40